Robert & Suki out in Los Angeles -January 30th
Source
Posts
New photos of Robert in The Batman
Two New photos during filming, with Matt Reeves: A new poster: And finally old photos now without tag: Source Source & Via
Kristen on the cover of Vogue Australia - February 2022
Some images above are either better quality or untagged. Click on images for full view. “Have you ever seen Miss Congeniality?” asks Kristen Stewart. She’s smiling a little, sitting cross-legged in a black sweater and jeans on the floor of her temporary apartment in Vancouver, where she is a week into filming her latest movie, a sexy, sci-fi, “revolutionary” project called Love Me in which “a satellite” and “a buoy”, played by herself and Steven Yeun, the man with all the cheekbones, fall in love. Just one week ago, when Love Me was still a mirage somewhere on the horizon, she was in New York, where she was honoured at the Gotham Awards for her performance as Princess Diana in Spencer. Julianne Moore, Stewart’s mentor and co-star in Still Alice, delivered a heartfelt tribute praising her passion and authenticity, calling Stewart the “coolest human on the planet”. (“I sent her flowers the next day and the note was: ‘I’m pretty sure there’s one person cooler than me and we know who tha
Kristen on the cover of Backstage with new interview - January 2022
Outtakes Digital Scans Click on photos for full view. The last interview of the last day of her relentless “Spencer” press tour has finally arrived, and Kristen Stewart is somehow still not tired of talking about acting. The self-described “movie nerd” is at her most animated when she’s wrestling with the most nitty-gritty questions about her craft—like whether actors can truly, fully disappear into their roles. “There’s losing yourself in a character, and it’s really common for actors to say, like, ‘It’s about getting the closest to this person as you can,’ ” she says, then gestures, reaching for the next thought. “But I think in doing that, you’re getting the closest to yourself.” Stewart understands why some, when discussing a particularly transformative performance, might opt to distance or obscure themselves. “It’s a slippery slope,” she acknowledges. “You open a door, and you start articulating the fact that this is really vulnerable and really personal. You open yourself in a w