Kristen Stewart goes on the road with Kerouac.

“It’s not a terrible thing if you’re either loved or hated,” says Kristen Stewart, seated in a cozy little bistro on the outskirts of the Los Angeles neighborhood of Los Feliz, far removed from even the most penetrating telephoto lenses. “But honestly,” she continues, “I don’t care ’cause it doesn’t keep me from doing my shit. And I apologize to everyone for making them so angry. It was not my intention.”

She has, however, kept busy making the grueling publicity rounds—health-permitting. “Last night I was sick with the flu and couldn’t go to this On the Roadscreening,” she says, sounding contrite. “Normally, I wouldn’t feel too terrible about missing a press event, but I felt awful because I’d do anything for this film. It holds a special place for me.”

About making ‘On the Road’: “There was a lot of skirting of little girls at rest stops. Like a volleyball team would pull up and I’d dive behind a bush,” she says with a laugh. “But we stopped at a Hooters in Amarillo, Texas, because there was this huge horse statue in front of it. We bought a lot of beef jerky. And seeing the landscapes fade from orange to green is the coolest thing.”

Stewart is no stranger to Hollywood. Her mother, Jules Mann-Stewart, is a respected script supervisor and her father is a stage manager, so she grew up on movie sets. “I remember being on the set of Little Giants when I was a kid and thinking it was the coolest thing ever,” she says. “I totally had a crush on Devon Sawa.”

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